Music

Sylvia Moy was one of the first female producers at Detroit's legendary Motown Records, co-writing hits for artists like Stevie Wonder, Marvin Gaye and The Isley Brothers. Moy died on Saturday at age 78 in Dearborn, Michigan from complications of pneumonia.

Buildings' noise-rock is like a burrito supreme sprayed across the windshield: gross, hilarious, awesome. On its third album, You Are Not One Of Us, the Minneapolis trio has become far more adept at wrapping its angular riffs around punk, noise-rock and post-hardcore with a certain amount of dexterity. Buildings' have a bit of that Jesus Lizard nastiness, but with the determined backbone and heady chops of Dazzling Killmen.

Pink Martini On Mountain Stage

Apr 19, 2017

Pink Martini returns to Mountain Stage, recorded live at the Clay Center in Charleston, W.Va. Originally founded in 1994 as a performance ensemble to liven up political fundraisers, the Oregon-based group has since grown into an international sensation with its cosmopolitan mix of classical, lounge and pop-jazz.

The Thistle & Shamrock: Common Currency

Apr 19, 2017

Follow the instrumental links and song streams that connect musical traditions across miles and oceans. This week's episode features music by Joe Craven, Pauline Scanlon, Tim O'Brien, Colcannon and more.

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Brooklyn-based songwriter Gabrielle Smith has decided to change the name of her band, Eskimeaux, following criticism from Canadian Inuk throat singer Tanya Tagaq. The band will now be known as Ó.

Bands reunite and it's not really a big deal anymore. Pavement's done it, like, 12 times already. Chicago's Riot Fest has made a regular habit of bringing back the '80s and '90s year after year, and scored some nice coups (The Replacements, Glenn Danzig with Misfits, among them). But here's one that no one in the punk scene saw coming: Jawbreaker.

Yesterday evening the world received its first taste of the musical treasures Prince kept locked within his Paisley Park home and creative nexus when a new EP, titled Deliverance was announced and its gospel-and-rock title track released to the wilds. The EP is set for release this Friday on the one-year anniversary of Prince's death.

We often label new music "out-of-time" when its touchstones are from the past. But what does that time mean when it spans decades and cultures, swirled into nonlinear pop songs that glide the spaceways?

Why do hip-hop producers gravitate toward jazz samples? For a mood, for sonic timbre, for a unique rhythmic component. Swing is a precursor to the boom-bap. "If you're a hip-hop producer that wants a lot of melodic stuff happening," pianist Robert Glasper says, "you're probably going to go to jazz first."

I may have screamed. Thankfully, I am surrounded by understanding and fellow Paramore fans in the office. Four long years after its genre-spanning pop album Paramore, the band is back with After Laughter, out May 12.

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