Lars Gotrich

Valerie June's "Astral Plane" was already made to be a lullaby, a softly swaying, country-tinged soul song that scrapes the stratosphere. On the studio version from The Order Of Time, it's dipped in gauzy guitar and keys.

We started a tradition a couple years back where we invite musicians in Austin, Texas, during the SXSW music festival to sing us a lullaby.

Sometimes the hard-working, completely badass punks win. Downtown Boys signed to Sub Pop recently, an open invitation for a wider world to hear the Rhode Island natives' wild, bilingual, no-filler, can-still-throw-down punk rock.

Feist has been known to take her time between albums, but it has been a long stretch since 2011's Metals.

This is some nasty, nasty jazz. Featuring saxophonist Matt Nelson (Battle Trance), bassist Tim Dahl (Child Abuse), and drummer Nick Podgurski (New Firmament, Feast Of The Epiphany), GRID's debut album bubbles up from the East River like a toxic monster amalgamated from New York's improvised and extreme music scenes.

The Afghan Whigs embrace the sleaze and surreal in the first single from In Spades. "Demon In Profile" picks up where 2014's Do To The Beast left off, with smeared blue-eyed soul far more sinister than it lets on.

With Slowdive's live reunion, stellar new song and promise of more material, you could forgive guitarist Christian Savill if he set aside any other projects for the time being. But no, Slowdive's return actually seems to have spurred more activity — he and Sean Hewson's long-running project Monster Movie will release Keep The Voices Distant, its fifth album and its first with an expanded band, next month.

Pages