There's a line in "Culture National Anthem," the surprisingly chill closer on Migos' new album Culture II, that sums up how much has changed for the group in a year's time: "Believe me when I say we create our own sound," the trio's leader Quavo croons in a melodic wisp. "I know you see it now, what they be screaming 'bout."
Apparently, betrothal isn't the only thing Jean Grae and Quelle Chris were celebrating while on vacay in Barbados last month. Little did fans know at the time — while positively reacting to the couple's tweets announcing their commitment to tie the knot — that the longtime creative and romantic partners already had a bun of sorts in the oven.
Sometimes the things we do to escape our pain end up sinking us into deeper depths. It's a cycle of desperation all too familiar to Abhi the Nomad.
"Binge and drink again, smile and pretend again / Ladies and gentlemen, welcome to rock bottom," the rapper/singer intonates on "Marbled." The song serves as a mixed metaphor of sorts, with Abhi narrating the life of a loner whose stage name is not just for show.
We're dang near a quarter-century into the new millennium and George Clinton is still out here slingin' gut buckets of funk. At this point, the good Dr. Funkenstein is more than a living institution; he's half-man, half-amazing.
When you sell 40 million records and enjoy the kind of crossover appeal Black Eyed Peas have, it usually comes at the cost of street cred. But in "Street Livin'," a dark, haunting new visual, the hip-hop group trades pop success for political commentary on the systemic ills plaguing the streets today.
The retro Cross Colours fits. The New Jack Swing sound. The In Living Color video homage. Bruno Mars has proven time and again it's his prerogative to do what he wants to do — especially when it comes to reigniting the charts with the sounds of '90s funk and R&B.
Open Mike Eagle may have released one of the most political albums of 2017, but Brick Body Kids Still Daydream is also among the most personal. It comes across best in his live performances. For only the second time during his recent tour cycle, the LA-based artist played a set aided by the live instrumentation of musicians Jordan Katz (trumpet, keys, sampler), Josh Lopez (keys, sampler) and Brandon Owens (bass) for his Tiny Desk debut.