Linda Holmes

It's no secret that movie theaters are trying to preserve the theatrical experience as something special — something you can't replicate, even in your tricked-out living room with your home theater system. Theater design is one of the ways they're trying to add value, as consultants and Shark Tank competitors might put it.

But at a recent screening of Blade Runner 2049, I experienced a technology that isn't new but was new to me, and with it, the need to make a plea that I never expected to make. Theaters, I beg you: don't manhandle my physical being.

On Tuesday morning, the first announcement went out that in Fall 2018 — only a year away! — Broadway performances will begin of Pretty Woman: The Musical. Prior to that, Chicago will host the world premiere run, beginning in the spring.

Sooooooooooooooooo if you've been wondering when one of Hollywood's most endearing-slash-problematic stories would make it to the stage, it's almost time!

Every year, summer gives way to fall, and in movie theaters, blockbusters give way to awards contenders. On this week's Pop Culture Happy Hour, film critic Bob Mondello of All Things Considered and I spoke with Tasha Robinson of The Verge and film writer Bilal Qureshi about some of what we all saw at the Toronto International Film Festival, which kicks off the fall movie season.

It's one thing to be a Hollywood actor who can respectably warble your way through a karaoke scene now and then. It's another to be able to perform the lead in a Broadway production of a Stephen Sondheim musical. Sondheim's melodies are complicated, the vocal ranges they require are considerable, and the surprises buried in them are startling. They require not only a lot of sound, but a belly full of feeling.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


Not starting the SpongeBob SquarePants musical cast album with "Whoooooooo lives in a pineapple under the sea?" is like not starting an Abe Lincoln musical with "Four score and seven years ago." Okay, maybe not that. Maybe it's more like not starting an Oscar Meyer musical with "my bologna has a first name."

While the television season no longer runs neatly from September to May, there's still a rush of new shows — especially on broadcast networks — in the fall. Eric Deggans, NPR's TV critic, joined Pop Culture Happy Hour for our annual fall TV preview, and you can hear that audio by hitting the big PLAY button. (As always, our conversation concludes with our regular weekly segment What's Making Me Happy This Week, which this time around includes a music documentary, a new album, yet another TV show to consider and a podcast on the topic of television.)

The 2016 Tony Awards were fun, but undeniably a little anticlimactic. By then, it was in large part a coronation of Hamilton, a delivery mechanism for the many, many awards we all knew it would win. (And did.)

You don't need me to tell you how much more television there is than there used to be, or how many more places you can find it. You don't need me to tell you that its population of creatively ambitious and idiosyncratic shows has grown enormously, as has its population of cheaply made UCSs – Undiscovered Channel Shows, where you learn that a show is entering its third season and only then do you realize that (1) it exists and (2) your byzantine cable menu actually does get that channel (although perhaps not in HD).

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