Jewly Hight

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Pop music is an ideal vehicle for emotional catharsis — for the confessional plunge into anguish, the gathering of strength and the phoenix-like rise to empowered new heights. But while such songs can feel like potent, highly individualized expression, their impact can also be interpreted in vastly different ways.

The archetype of the wanderer, that alluringly elusive figure who chases whims and sidesteps attachments, is an implicitly masculine one in the '60s and '70s bohemian folk, country and pop singer-songwriter fare that informs Azniv Korkejian's music. But she performs as Bedouine, a name that signals she's staked her own claim on the spirit of wanderlust.

There's a presumption among some people who have little contact with old-time, string band, bluegrass and folk music that those are mostly stagnant traditions, stuck in some sort of distant, Arcadian past and locked into so-called primitive patterns. The truth of the matter is that those traditions can be strikingly elastic, and they continue to attract new generations of keen musical minds, like Chicago-bred banjo and fiddle player Rachel Baiman.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

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